To quickly qualify my review - I discovered the Twilight Saga about a month ago, so I have basically read all four books as one 2500-page novel. I'm in my fifties, and the series was recommended to me by a 20 something guy at a bookstore. Bottom line, I can't speak to the young adult audience for whom the saga was written, and I didn't have years between books to ruminate about how it would all end. Also, whether the laws of Meyer's supernatural world were bent or broken during the writing of this book is for other reviewers to debate.
As I read the Twilight saga, the two things that carried me were the romance and suspense. The romance (whether you're a member of Team Edward or Team Jacob) was palpable throughout. The works that inspired the first three books in the saga - Pride and Prejudice, Romeo and Juliet, and Wuthering Heights - number among the great romantic stories of our time, and Meyer adapted them brilliantly to her story of first love in town of Forks, WA. In terms of suspense, big battles never seemed to be the author's choice. Tense moments were built more out of implication than body count. The final showdown with James in Twilight seemed to me the most graphic battle of the first three books. The scenes with Laurent and the Volturi in New Moon were suspenseful, but no blood was shed in either. Even in Eclipse, the confrontation with Victoria and her minions played out like the chorus describing an off-stage battle in a Greek tragedy (with a bit of head rolling tossed in for good measure). So, tense and dramatic, yes. But violent and filled with depictions of hand-to-hand combat, no.
Having said that, I think that Breaking Dawn needed more of the kind of "Cowbell" that made me a fan in the first place. All the heat of that torchy, end-of-the-world, young love was reduced to a patio-sized chiminea. The newlywed's preoccupation with sex was not a problem for me. After all, these kids had two years of pent-up passion to work out of their systems. Heck, I was almost as frustrated as they were by the time they hit that island. For me, the issue had more to do with the small amount of screen time given to Bella and Edward's great LOVE. It seemed as though the wedding guests were still picking rice of our their hair when Bella's first bout of morning sickness made an appearance. Where was the cuddling, the pillow talk, the connection between two young lovers who have finally become one? As for the other kind of Cowbell, i.e., suspense, there's a good reason that no one ever refers to The Merchant of Venice as real page turner. While the play includes a great bit of debate over a pound of flesh, I never for one moment thought that a pound of flesh would actually be extracted. Same here. I didn't expect a limb-tearing, flying-head, re-do of The 300. That's never been Meyer's style. What I did expect, though, was to believe that the characters believed - even for a moment - that they were really in danger. And I didn't.
If I'd been Meyer's editor, I'd have advised her to go for more romance (with a capital R) between Bella and Edward, less Shylock and more Buffy on the battlefield, and I'd have given that vampire UN (like the U.S. Congress) the rest of the summer off. I wasn't Meyer's editor, though. I was just one of her many readers. And as one of her readers, I have to say that I had a pretty bitchin' summer thanks to the Twilight Saga. The story kept me turning pages for about a month, and I can't remember the last time I did that much reading without a thesis paper due at the end. Also, I think Meyer does a great acknowledgements page and, based on her recommendation, I discovered the band Muse. If it's possible for music to "sound like" a book, Muse actually evokes for me memories of the Twilight Saga. Pretty cool, eh?
I hope that the negative reviews of Breaking Dawn don't keep people from making a stop in the town of Forks. It's actually a pretty interesting place with some pretty interesting people -- and an inordinate number of really cool cars.
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